![]() The Saint Des Saints gelding underwent wind surgery during the summer and, having raced twice more over hurdles in the Autumn, he was switched to fences.Īn emphatic winner at Chepstow (Good/Soft) and Hereford (Soft) off 121 and 128, he was a fast finishing second at Doncaster last time. ![]() SAINT SEGAL won twice over hurdles last season and travelled strongly until after the second last in the Boodles Juvenile Hurdle last March when rated 126. The softer the ground, the better his chance. His best form is on flat tracks, but he was fourth at Chepstow staying on as a juvenile hurdler. Dual champion jockey James Reveley, who is currently sidelined with a broken tibia, rode him at Auteuil and liked him a lot and his stable have had a terrific campaign with 51 winners. Either Brogan (1 from 1) or Jonjo O’Neill (441) is expected to be on board. Raised ten pounds since, he looks ready for this step up in class. He was particularly impressive last time when scoring by 14 lengths and his jockey Kevin Brogan was reportedly very taken by him. Stepped up in distance and sent handicapping, the five year old has shown progressive form this term winning twice at Wetherby (2m 3f) on good and soft ground off marks of 121 and 128. The album is mastered by Jeremy Cox, featuring photography by Satoshi Fujiwara, and visual direction from PWR Studio.While not disgraced in either the Grade 1 Finale Hurdle at Chepstow or the Grade 2 Adonis Hurdle at Kempton, he wasn’t quick enough for two miles. When unplugged from the Amnesia Scanner stream, Haimala works as a composer and producer with a wide range of musical and visual artists, and Kalliala co-directs the think tank Nemesis. The AS live experience is co-created with Stockholm-based Canadian designer Vincent De Belleval. They collaborate with PWR Studio for their design and visual direction. At its peak intensity, as in ‘AS Faceless’, Amnesia Scanner's doombahton overheats into nu-metal-gabba.Īmnesia Scanner has presented work at art institutions such as ICA London, HKW Berlin, and the Serpentine Gallery Marathon in London. ![]() ![]() The album's first single, 'AS Chaos', is its most powerfully direct track, with Pan Daijing’s English and Mandarin vocals taking over for Oracle. Threat, lending a precarious gait to the song's staggering rhythm. Indeed, the lullaby of 'AS Another Life' swings between trill hope and casual Of ‘Another Life’ evocatively explore a schizophrenic present marked by narratives of a slow apocalypse or salvation via technology. Coupled with the pop song structures that Amnesia Scanner employs for the first time, the avant-EDM productions Oracle's vocal performance ranges from exuberant mania to anxious dread and beyond. The latter is provided by the latest addition to the production unit, a disembodied voice called Oracle, which represents the sentience that has emerged from Amnesia Scanner. The most striking detail of ‘Another Life' is Amnesia Scanner's use of both human and inhuman voices. Turks, 'AS' and 'AS Truth' (2016), distilled this immersive environment into an abrasive collection of cryptorave tools. System vulnerabilities, information overload and sensory excess inform their work, which has found a home in both clubs and galleries.īuilding on their mixtape 'AS Live ' (2014), Amnesia Scanner’s critically acclaimed audio play 'Angels Rig Hook' (2015) laced a potpourri of dancefloor tactics with a machinic narrator. 'Another Life' is the debut album from Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio and production house, created by Finnish-born Ville Haimala and Martti Kalliala.įounded in 2014, Amnesia Scanner's approach is informed by a unique perspective on technology and the way it mediates contemporary experience. ![]()
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